Upcoming:

25 March 2024:

80 Years After

Group exhibition, Ioannina, Greece

29 March 2024:

WE SEE

Performance in collaboration with Eliana Pliskin Jacobs and Robert Yerachmiel Sniderman, Berlin and Ioannina

21 April 2024:

Tress_passing

Lecture-Performances by Ben Spatz & Adi Liraz

At Tanzquartier Wien, Vienna, Austria

Selected artist CV

Studies:

2014 Master in Arts from the Art Academy Berlin Weißensee (“Art in Public Context, Spatial Strategies”) 2001 Bachelor in Fine Arts from the Bezalel Academy of Art and Design, Jerusalem

Selected exhibitions and performances:

2024

Alle Erinnerungen fließen ins Meer (und wieder raus) Künstlerische Intervention, teil von Mitstreiten, Literatur Forum im Brechthaus in Kooperation mit Undercurrents – Forum für linke Literaturwissenschaft, Berlin

2023

Lilit commissioned by Schloss Friedenstein Foundation for the “ACHAVA Festival” 2023, installation and performance walk, Gotha

Manfiyeh منفيه מנפיה commissioned performance in two parts, part of “Tsomet Lev”, curated by Nasrin Abu Baker and Tammy Izhaki, at Feel Beit, Jerusalem

Mother Toungues performance as part of the conference “Postmigrant Re-Configurations, new approaches to contemporary German language- Jewish culture production”, King's College London

Der Staub und der Geist, an die Mauer entlang commisioned by “Platz sucht Identität”, performance-walk, Weißensee, Berlin

KEDESHA as part of the group exhibition An Imagination of Bodily Autonomy curated by Nina Marlene Kraus at Galerie im Saalbau, Neukölln, Berlin

2022

Dowry Dialogues, a collaboration with Persefoni Myrtsou, performances and interventions in public space, Thessaloniki and Ioannina

I asked for her, commissioned performance-walk part of “Die Dritte Generation Deutschland: Neue Heimat” curated by Benyamin Reich and Alexander Ochs, Mittweida

Megoreschet, commissioned performance-walk, part of the Jewish-Muslim cultural day in Heidelberg

Mother Tongues Performance, Hebbel am Ufer, as part of the assembly Antirassistische Kämpfe versammeln, archivieren und aktivieren

T´ME´A טמאה commissioned performance and installation as part of the group exhibition VERSTICKUNGEN curated by Andrea Isa and Eyal Dinar at Plan-D gallery, Düsseldorf, Germany

2021

Dirty Laundry, solo exhibition at the gallery Alpha Nova & Gallerie Futura, Berlin

alle Erinnerungen fließen ins Meer (und wieder raus), commissioned performance by East of Elswhere, as part of the festival “Wie baut man Brücken über unruhiges Wasser“ , Rostock

ממים לאש MeMayim LeEsch commissioned performance by Kulturamt Offenbach am Main as part of CHAI Festival, Offenbach am Main

Feminismen vor Ort, performance Stadtpark Steglitz

Asking for Nelly (in Berlin), performance – commemoration walk in public space Weißensee, Berlin

2020

Ikh Hob Dikh Derkant, performance, Berlin Biennale 11, Berlin, Germany

Viral Empath, an installation as part of a group exhibition, Kreuzberg Pavillon, Berlin, Germany

2019

Mother Tongues, performance, Skala, Ioannina, Greece

Mother Tongues, performance, The Word, Berlin, Germany

Textured (Hi)Stories chapter II: ReMembering, installations, video installation and a performance as part of the exhibition in collaboration with the University of Ioannina, and the Jewish community of Ioannina, Mekeio Foundation House, Ioannina, Greece

Asking for Nelly, performance – commemoration walk in public space, Mavili square, Ioannina, Greece

2018

My Fluid Body on an Uneven Political Ground, performance, Xart Splita, Berlin, Germany

Textured (Hi)Stories chapter I, installation and performance Kappatos gallery Athens, Greece

Performance and presentation in collaboration with Dr. Esther Solomon and the University of Ioannina, Platia Sefagia, Ioannina, Greece

Up.Side.Down, performance in collaboration with Hori Izhaki, Jewish Museum Berlin, Germany

Gestickte Geschichten, installation and performance, Attendorn city hall, Attendorn, Germany

My Fluid Body on an Uneven Political Ground, performance, Hilbert Raum, Berlin, Germany

2017

My Fluid Body on an Uneven Political Ground, performance, Bilgisaray, Berlin, Germany

My Fluid Body on an Uneven Political Ground, performance Savvy Contemporary, Berlin, Germany

My Fluid Body on an Uneven Political Ground, performance, Circle 1, Berlin, Germany

I will not forget, performance, Performance, Gr_nd, Berlin, Germany

Reflections on My Fluid Body, video artwork, Kunsthalle Hamburger Platz, Berlin, Germany

My Fluid Body, installation as part of a group exhibition Marzahn city hall, Berlin, Germany

2016

ExDress, performance in collaboration with Sanija Kulenovic, alpha nova & galerie futura, Berlin, Germany

Whispering Home, artworks at the art vending machine of the Jewish Museum Berlin, Germany

ExDress, performance in collaboration with Sanija Kulenovic, Plateau Gallery, Greenhouse, Berlin, Germany

Publications:

2022

Rae Dalvan, the life of a Greek-Jewish American by Adam J. Goldwyn, as the editor of the Romanioti* series of Isnafi Publications

Marriages are made in Heaven, a play by Rae Dalven as the editor of the Romanioti* series of Isnafi Publications

2021

Intersectional Commemoration Club Risograph Reader #1: Dirty Laundry & Mother Tongues

Ayin 1: Dirty Laundry

Berlin Biennale, common languages of exchange: Ikh Hob Dikh Derkent

2019

Protocols 2: Textured (Hi)Stories

2018

Asylum Arts, artist of the month June 2018: Textured (Hi)stories

Artist Statement

Adi Liraz is an interdisciplinary and performance artist currently working between Berlin, Germany, and Ioannina, Greece.

In her work, she negotiates the presence and function of memory and proposes ways of decolonising marginalised voices. Adi aims to remanufacture the concepts of home & belonging beyond the national, the hegemonic, and the patriarchal. Her work is a quest towards new understandings of feminist emancipation; while moving beyond white feminism and its supremacy, she reclaims domestic labour as a feminist everyday and artistic practice, and tries to unroot it from patriarchal genealogies.

Her methodology is to re-write “text” in hi(her)story through de-academising and de-institutionalising oral history, and through symbol re-invention. By using the body, self-embraided fabrics, organic fluids and found tangible traces of herstory as art materials, Adi relocates intimacy and domesticity into the public space and thus attempts to radicalise and reclaim it. In so doing, she posits the body as a carrier of memory and as a powerful site for knowledge production and transition. 

Press, links, and articles